Saturday, November 2, 2013

The Juggling Chronicles: Don’t Drop the Crystal Ball

I fell passionately in love in early July. It was one of those remarkable experiences that nobody ever sees coming, and my life has been permanently different ever since. It was on a hot Manhattan summer day at lunch time that I wandered into Bryant Park and first encountered them: there was a group of people juggling clubs, rings, and even up to 7 beanbags at once! I had been informed by my mother that there were juggling lessons given there at lunch time, but I had expected a few people standing in a circle juggling three beanbags, not the complex and beautiful patterns that were being performed only feet from me. Then, from out of the crowd, one of them asked me,

“Can you juggle?”

I said no.

“Want to learn?”

 And so it began: The 15 minute lesson, the repeated dropping of beanbags, and, finally, the massive excitement upon catching all three for the first time. From that first day, I knew immediately that I loved it. I was obsessed. I bought a set of pathetically bad quality beanbag and practiced tirelessly for hours. I worked on the regular three ball cascade until I could do it with my eyes closed. I practiced simple tricks, watched YouTube video after YouTube video, and bought myself some proper beanbags. I was driven to advance, constantly in awe of my fellow juggling club members, all with years of practice and amazing skills. By summer’s end I had moved onto four balls, bought a set of clubs, spending lots of time (and money) in the prominent New York juggling store: Dubé Juggling. 

Juggling, though a popular party trick, is not a typical passion. So imagine my surprise when I discovered one of my friends who I worked with at a tiny Hamptons health food market, was just as enthused with it as I was. He introduced me to contact juggling, the peculiar art of mime and balance (most often associated with David Bowie and the Fushigi ball) where one makes a dense acrylic ball appear to float through isolations, dramatic hand motions, and mystifying body rolls. I loved it a much as I did traditional juggling. Mine and my friend’s interest in circusy skill arts evolved in tandem, which was the driving inspiration behind starting a local circus club together. This new club was the perfect place to introduce our love of juggling, and other skill arts, to the people of the Hamptons. We taught small children to juggle, and encouraged our friends and coworkers to join us. It wasn't long after that we purchased unicycles. With one of our club members being part of a fire spinning troop, and another who hoola hoops, I wonder how long it is before we take that up too.

This brings me to the dark side of my passion for juggling: the addiction. I forever have to carry a massive, spacious messenger bag to accommodate the juggling equipment I constantly carry with me: my four beanbags and a 100 mm diameter acrylic ball. I constantly pick up all round objects (especially fruit) and try to juggle them, or contact juggle them, I perform contact juggling isolations on any cup or glass I’m holding, and it’s a good thing almost all my friends are away at college anyway, because I have essentially no life apart from that which involves juggling due to the hours I spend practicing new tricks and honing my juggling skills. I have also taken to spending whole weekends devoted to my fledgling circus club, and have reinvented the term “travelling circus” as I am often seen with a black bag full of juggling equipment, with my unicycle in tow. I also tend to spend my Friday nights like this:




Addiction aside, juggling is one of the most important things I have spent my year off on thus far. It has been a pursuit of passion, a learning experience, and amazingly fun as well.

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